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633.The last paragraph of Chapter 8 of Prince by Machiavelli

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发表于 2026-1-16 19:10:55 | 显示全部楼层 |阅读模式
本帖最后由 Reader86 于 2026-1-17 07:44 PM 编辑

Chapter 8 of The Prince (“Of Those Who Have Become Princes by Wickedness”) ends with one of Machiavelli’s sharpest moral distinctions. The last paragraph is not an afterthought; it corrects a common misunderstanding of the whole chapter.

What the last paragraph means

Machiavelli is saying that cruelty itself is not the true dividing line between legitimate and illegitimate rule. Timing, necessity, and limitation are.

In the final paragraph, he draws a contrast between two kinds of cruelty:

“Well-used” cruelty
This sounds shocking, but Machiavelli defines it very narrowly:

Cruel acts are committed all at once, at the beginning of rule

They are done out of necessity, to secure power

They are not repeated

They are followed by actions that benefit or at least stabilize life for subjects

Such cruelty, he says, can allow a ruler to maintain the state and even gain a degree of popular acceptance.

“Badly used” cruelty
This is cruelty that:

Begins small and grows over time

Is repeated again and again

Becomes habitual rather than strategic

This kind of cruelty ensures permanent hatred, instability, and eventual downfall.

The core idea of the last paragraph

Machiavelli’s final point is:

Violence that never ends destroys authority; violence that ends can found it.

He is not praising cruelty morally. He is judging it politically. A ruler who must constantly harm his subjects signals weakness, not strength.

Why Machiavelli ends the chapter this way

Earlier in Chapter 8, Machiavelli describes figures like Agathocles, whose rise was undeniably brutal. The last paragraph answers the question:
Why do some brutal rulers survive while others fall?

His answer: because some understand limits.

Cruelty must be:

Finite

Purposeful

Replaced by order

Otherwise, fear turns into hatred, and hatred into rebellion.

A deeper resonance (given your interests)

This echoes a pattern you often circle in your poetry and reflections: intensity without resolution shatters form. Like unresolved dissonance in music, repeated violence prevents political harmony from ever arriving.
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 楼主| 发表于 2026-1-17 18:44:00 | 显示全部楼层
Machiavelli ends Chapter 9 of The Prince (“The Civil Principality”) with a blunt warning about popular support.

What the last paragraph means, in plain terms

Machiavelli is saying this:

A prince who comes to power with the support of the people is far safer than one who comes to power backed by the nobles. Why? Because the people only want not to be oppressed, while the nobles want to command and exploit. Those two desires are not equal in danger.

In the final paragraph, he drives home three key ideas:

A prince can never afford to alienate the people.
Even if the nobles turn against him, he can survive as long as the people are not hostile. But if the people hate him, no walls, armies, or laws will save him.

The people are the ultimate political reality.
When danger comes—foreign invasion, internal revolt, crisis—institutions and elites collapse quickly. The people do not. If they are against you, you will be abandoned.

Neutrality is impossible when the people are hostile.
Machiavelli ends the chapter by saying that a prince who believes he can stand above public opinion is deluding himself. Power ultimately rests on consent, or at least tolerance.

Why this matters in Machiavelli’s thinking

This is one of the moments where Machiavelli is less cynical than he’s often portrayed. He is not praising democracy, but he is making a hard realist claim:

You can manage elites.
You cannot rule against the people.

In your broader interests—music, poetry, Nietzsche, memory—this fits a familiar pattern: structures endure only when lived experience does not revolt against them. Like harmony in music, political order fails when tension is unresolved.

If you want, I can:

Compare this ending with Chapter 17 (cruelty vs. mercy)

Contrast Machiavelli’s “people” with Rousseau’s general will

Or give a line-by-line paraphrase from a specific translation (Bondanella, Mansfield, etc.)

Just say which direction you want to go.
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